

Photographic and poetic meanderings along the countryside or while flying an airplane.

Today I rode the 2009 BMW F 800 ST to discover that it seems perfectly adapted to the straight or winding roads traversing the vast ranch and farmlands of Texas. Include some twisties and you won't mind the heat or the grasshoppers hitting your legs.
I took the photo below in Electra. The lot remains empty, yet cared for. Some controversy surrounds the owner of the lot. It sits next to the antique shop on the corner of Main Street, and just a stone's throw from the Grand Theatre. But I like the colors of the brick and the oldness of the wall. I like, too, the pile of bricks on the grass covering an old floor.
I show below an historical marker along Hwy 25 that states that about 100 yards to the west lay an old route used before 1890 to transport buffalo hides. It mentions that Native Americans needed the bison to survive, and so the invaders from the east devoted themselves to decimating the herds: "no bison; no 'injuns.'" Anathema.
An American Robin accepts Lila's offer of food, while a Mockingbird waits patiently for her turn.



After post processing the image in the digital darkroom, the photograph below shows the portrait as it may have looked back in the [30s] when Carrigan's mother commissioned Hermann to paint a portrait of her son killed during WWI.
Though the process of removing blemishes from this picture seemed a bit tedious and constrained by the lack of skill, I pursued my task just to take a look at the difference between the two versions. I can travel back in time in my imagination and look upon the painting as Hermann painted it, and look upon the un-blemished face of a young man struck down in that unspeakable war. (Or does "unspeakable war" sound redundant?) Dallas will remove the larger blemishes to make it look as if Hermann himself, with his own paintbrush, had restored the painting. 





While I count myself fortunate to witness this unique event, and feel thrilled and teary-eyed every time I see the Jenny aloft under the experienced control of Tom, if you ask me, I'll answer that they both belong and should remain within the safety of the walls of the museum. Tom, as a mortal, will not be with us forever, as an inanimate object would, and that is one thing I'd like God to change.