North Texas looks unusually green this month, thanks to a greater rain fall.

Camels on the Hudson Ranch.

Photographic and poetic meanderings along the countryside or while flying an airplane.
Even on a hot day with the temperatures in the 90s, cattle find enough energy to stampede toward water.
Dromedary camels along Highway 1180, on or near the Hudson Ranches.
A cross along Highway 1180 has the words written on it, "Hog Heaven."
Kathy's Korner along Highway 25 and at the end of Highway 258. I hear they used to serve good burgers there, and so I plan to stop by some day soon.
Turtles, and I know you cannot see them except for black spots in the brown water, swim around in the Wichita River along Highway 25.

Today I rode the 2009 BMW F 800 ST to discover that it seems perfectly adapted to the straight or winding roads traversing the vast ranch and farmlands of Texas. Include some twisties and you won't mind the heat or the grasshoppers hitting your legs.
I took the photo below in Electra. The lot remains empty, yet cared for. Some controversy surrounds the owner of the lot. It sits next to the antique shop on the corner of Main Street, and just a stone's throw from the Grand Theatre. But I like the colors of the brick and the oldness of the wall. I like, too, the pile of bricks on the grass covering an old floor.
I show below an historical marker along Hwy 25 that states that about 100 yards to the west lay an old route used before 1890 to transport buffalo hides. It mentions that Native Americans needed the bison to survive, and so the invaders from the east devoted themselves to decimating the herds: "no bison; no 'injuns.'" Anathema.
An American Robin accepts Lila's offer of food, while a Mockingbird waits patiently for her turn.



After post processing the image in the digital darkroom, the photograph below shows the portrait as it may have looked back in the [30s] when Carrigan's mother commissioned Hermann to paint a portrait of her son killed during WWI.
Though the process of removing blemishes from this picture seemed a bit tedious and constrained by the lack of skill, I pursued my task just to take a look at the difference between the two versions. I can travel back in time in my imagination and look upon the painting as Hermann painted it, and look upon the un-blemished face of a young man struck down in that unspeakable war. (Or does "unspeakable war" sound redundant?) Dallas will remove the larger blemishes to make it look as if Hermann himself, with his own paintbrush, had restored the painting.