Except as noted, all images copyrighted by and should be attributed to E B Hawley.
I had become many eons ago a traveling literary gnome, inquisitive about places I had and had not visited,
walking the same paths of peoples from the past, through places once grand and still grand,
photographing images that now show me the places about which I still dream . . .

Saturday, September 8, 2012

Dashing After Bugs

   The passionflower vine continues to thrive in the small amounts of rain. Its three flowers yesterday caught my eye, and as I admired them, I noted something else thrived in the garden. Flitting from plant to plant, flower to flower, disappearing and reappearing from behind foliage, their colorful wings glimmering in pockets of sun underneath the great oak tree, dragonflies and butterflies landed and then took off. I ran for my camera. 
    MyMrMallory sat in a chair minding the coals in the old grill, preparing to cook our supper of grilled eggplant, glancing from fire to our garden as I dashed after a monarch (Danaus plexippus) butterfly. "He's behind you now," he would say, as I stood up from behind the lantana bushes, looking all around me for the butterfly. The insects provided me with fine exercise and a show for MyMrMallory before our meal.

Taken with a Nikon D3200 set on auto everything and a 55-300mm lens. 
Cropped during fearless and shameless post-processing with the dodge tool in the digital darkroom.

The monarch stood still enough for my camera to finally focus on it, rather than the surrounding foliage. 
Do hunter's with rifles have this much fun?

Here is the same butterfly sitting on a turk's cap leaf in the shade. 
No post-processing except for cropping. 

Elsewhere in the garden, more challenges:

A skimmer alighted on the buds of a turk's cap plant.

Skimmer lands on the dead stalk of a rose bush. 

Libellula pulchella males.


Thursday, September 6, 2012

Gulf Fritillary

Agraulis vanillae and a caterpillar.

D3200 set on auto.

Saturday, September 1, 2012

WW II Biplane Training Reenactment

      PBS folks filmed the Jenny during pre-flight and flight. The Jenny flying anytime is reason to lug my camera and monopod to the grassy strip.

As the troop car pulls the Jenny, the cameraman begins rolling.

Sitting in the Model T Ford, Mr. Ginnings salutes.

Mr. Ginnings driving the troop car.

Mr. Robert Seabury, the pilot whose vision made the Call Field Museum possible. 

Wood and brass propeller.

Pilot David Martin discusses last minute details with the director. 

The student pilot photographing the lineman as he touches the prop.

Filming begins. Student hands his hat to the lineman and climbs aboard.

Checking on the student. Okeh! So the instructor climbs aboard in the back seat.

Pre-flight completed, the pilots are ready to start the engine.

The lineman rolls the fire extinguisher closer to the aircraft. 

Propping the engine.

Engine started, he moves the extinguisher aside.

They remove the chocks.

The lineman signals.

The Jenny flying. 

Visit the Call Aviation Field Memorial Exhibit Facebook page for more information.


D4, 17-35mm and 85mm.

Friday, August 31, 2012

Plathemis lydia


Adult male common white-tailed skimmer. Love them for they gorge on mosquitoes.
Visit Dawes Arboretum for more photographs of dragonflies.

Thursday, August 30, 2012

Ol' Ninety-seven

     Ol' Ninety-seven, a Hereford bull, he's a charming fellow, if you don't approach him too closely, and a happy one, for all the gals following him around the prairie grasslands of North Texas. Rather than a number, I call him Sweetie.


From Start to a Finish

    Intrigued by the facade of a building downtown, I poked my nose in the city index of 1923. Why that year? Easy to answer: The facade shows, "19 and 23." The year, plus the address, are good places to begin. JoAnn had already discovered that they, the folks in the building, earned a living in real estate.  This afternoon, nose in several years of the city indexes, I noted that Gullahorn and Beard were partners in both real estate and live stock dealing. As far back as I studied this afternoon, which was 1920, those were their businesses. Their address was listed as 501 Indiana until 1945, when they listed 101 Indiana.


    The address of the beautiful building is 517 Indiana, different from the address listed in the index. 

Facade of building showing Gullhorn, 19 and 23, and Beard 
across the brick above, and the address on the wood.

A truck sits abandoned alongside the building. 

    On a side note, having nothing to do with the intriguing building, except, perhaps, its location, also parked on its property is the trailer of an eighteen-wheeler, which provides shelter for two homeless persons. Underneath, they seem to have most of what they need to provide for their creature comforts.

     By 1945, the address listed for Gullahorn and Beard shows 101 Indiana, where only the concrete foundation exists now, and the trunk of a tree long gone. 


Tuesday, August 28, 2012

Lycoris radiata: Three Views

Spider lily on the 24th.
Nikon 3200, 55-300mm, 320ISO, f5.6, 1/60 secs, auto WB, manual,
cropped in the digital darkroom.

Spider lily on the 28th.
D3200, 55-300mm, 280ISO, f5.6, 1/250 secs, auto WB, manual, 
cropped in the digital darkroom.

Red spider lily.
D3200, 55-300mm, 100ISO, f5.6, 1/15 secs, auto WB, manual, cropped.

Sunday, August 26, 2012

Impromptu Soccer

One evening in front of the Hardin Building.
Nikon F6, 17-35mm, Portra 400.

Saturday, August 25, 2012

Steaming a Cowboy Hat


Paul, from Ranch Horse Outfitters, steams a straw hat 
to make it pliable enough to shape to a customer's head. 

Nikon F6, 17-35mm, f2.8, Provia 400, cropped.

Poetry: My Friend Jeff on the Baltic Sea

My Friend Jeff on the Baltic Sea

I used to ask my friend about everything.
Before he died on a sunny, windy day, I asked him,
Jeff, why do the swans swim on the Baltic Sea?

But silently he walked toward me for a farewell hug.
I said, Where will you go when you walk up the shore?
To see more swans swim, he said, on the Baltic Sea.

As he stood on the shore, the sun's warmth on his head,
I looked up at him. I wanted to walk with him up the shore
to watch other swans as they swam on the Baltic Sea.

The wind blew. I blinked. Time flew. Jeff -- Jeff left.
I wept -- yet since then I have stood tall without him
watching the swans swim on the Baltic Sea.

 

    Canon PowerShot A530, 23mm cropped, f5.5, 1/320sec, 0ISO,
    post-processed in the digital darkroom for color contrast in CS6.

Monday, August 20, 2012

Cared-for Urban Decay

     Drive through a downtown and we may find various levels of urban decay. Some structures receive attention, if only with a board nailed to the doors to keep them from swinging open, or with a piece of chalk to express love for someone. Others stand, not forgotten, but perhaps owned by someone who cannot maintain them. Though small, Wichita Falls offers many photo ops for one who enjoys urban photography.








 D4, 17-35mm, 79ISO, cropped but the Mud Products, Inc image. 
   

Sunday, August 19, 2012

Andy's Sidelong Glance


Wondering about the whispers . . . 

Nikon F6, 35mm, Sensia 800, original color photograph 
post-processed in the digital darkroom using Snapseed.

Morning Dew Hawk

Morning sunshine on dew and a few limbs that fell during the storm last night.

Cooper's Hawk.

50-300mm, f5.6, aperture priority, enjoyably taken with the D3200, a light-weight and capable camera.

Saturday, August 18, 2012

The Artistry of Cowboy Boots and Rolling Cigarettes

  The Ranch Round Up provides opportunities to make friends and meeting up with old ones, in addition to raising funds for a good cause, or winning a prize for fastest kid running 'round barrels on a stick horse. They have good grub, too, in the chuck wagon event, or so I hear. Of interest to me, too, is the art work on exhibit created by the ranch families, cowboys, and friends. I made my way there to view the art work, without suspecting that I would discover the artistry created by boot-makers, a discovery that I made with a pouch of tobacco. 

  Indeed, historian Robert Palmer said that one item may lead to another, though unrelated, just as fascinating, item. 

   At one of the booths at the Ranch Round Up, Old West Collectibles, from Guthrie, Oklahoma, Mr. Balsiger rose from his chair and walked toward a collection of western antiques on the far table. "Lemme give you somethin'. Here's an old pouch, it's very old, of tobacco. The cowboys used to put it in their front shirt pocket, and the string would hang out over the edge. They would reach in there for some tobacco, and they'd roll their cigarettes, just like this," he said, holding his left palm upward, as if holding paper, and pretending to roll a cigarette with his right fingers. "They'd lick the edge and twist each end," he said, bringing the imaginary cigarette to his lips, and then twisting the tips with his index fingers and thumbs, effectively taking me into an imaginary world as brilliantly as a mime would. 

   He handed me the pouch. "That's for you," he said. It was a cotton bale of smoking tobacco from the Durham company. It was open and empty, the paper band torn, and who knows how many decades ago someone, a poor old soul addicted to tobacco, tore the band and commenced a-rolling a satisfying cig. The string he mentioned was still on it, and it was yellow. It contained, still, a few pieces of leaves, and smelled fragrantly of tobacco -- the only merit of the plant. I thanked him profusely for the opportunity to learn more about a part of history, tragic to the lungs though it might be to those addicted to tobacco. 

Durham tobacco pouch, a gift from an Oklahoman historian.

Red Nikon D3200, f3.2, 105mm, -1.33ev, flash, ISO110, cropped in the digital darkroom.


    In addition, it is known by the text printed on some of the bands glued around the pouches, that the Red Cross provided the pouches of tobacco to the troops during World War I. They ceased selling pouches by 1980, after quite a long run. 

   But back at the booth, I turned to Mr. Balsiger's friend and asked her, "Those seven-and-a-halfs?" She sat in a chair next to the white leather boots on the floor, catching her head as it lopped over, trying to keep from falling asleep. Aware of me looking at her, she woke herself up, eyes widened, and said, "Huh?"
   
  "The boots on the floor next to you, are they for sale?" I felt regretful to disturb her sleep and hoped she would welcome having something to do.

 "Uh, yeah, and they are seven-and-a-half. Wanna try them on?" she asked, stifling a yawn. "Sit yourself right here," she said, getting up from her chair, "so you can try them on."

Detail of the white leather boots.

Red Nikon D3200, 105mm, f3, 1/200, flash, ISO3200 (forgot to set my ISO to my favorite 100), 
slight contrast during post-processing in the digital darkroom. 

   "How much are they?" I asked, removing my right shoe, aware and embarrassed by the hole in my sock. 
   The woman turned to Mr. Balsiger, "Say, John. How much are the white boots?"
   "What?"
   "The white leather boots. How much are they?"
   "Seventy-five." 

   I tried on the boots and, finding them an exact fit and comfortable to my feet, said I would buy them. 
   "How much are those other old boots?" I said, pointing to a brown pair standing on display on the original box.
   "Oh, those are much more expensive," Mr. Balsiger's sleepy friend said.
   "How much more expensive?" Both of us looked at him.
   "Three hundred and fifty. They're very old. They're from the '20s. I bought them at an estate sale in Nebraska. They're Olsen-Steltzer boots made for Roy Rogers. The owner had a picture of himself wearing them. I bought the picture, too."
   "Sounds like they belong in a museum and not on my feet," I said. 
  "Right. You wouldn't want to wear those boots. You'd want to keep them and not wear them, and then in a few years you would want to sell them back to me," he said. 

   Intrigued by the boot company that Mr. Balsiger had mentioned, the Olsen-Steltzer, I wandered around the showroom in an attempt to find their booth, which, of all things, they had set up here. Why a historical, high-quality company that catered to celebrities such as Roy Rogers and whose boots would become museum pieces would travel all the way from Houston or Dallas or whatever big-time town, to sit at a booth for two days, seemed beyond my comprehension, but how ignorant about things I can prove myself!  

   Founded in Henrietta, Texas, in 1934, the Olsen-Steltzer began the penchant and flair for creative designs that cowboy boots show these days. At the company website, watch the old timey video filmed circa 1956 by the Chamber of Commerce of Henrietta. (I couldn't watch past three or four minutes, really, but give it a try.)



Olsen-Steltzer boots customed-designed for an aviator. 
Naturally, as an aviator myself, these boots peaked my interest, 
though I opted for the more traditional design.

   When I reached the booth, I noted the pleasing quality of craftsmanship and artistry. Subsequently, in viewing their website, I reflected -- and this is my own conjecture -- that any vestiges of the "Made in China" reputation, from which the company apparently suffered in the 1980s, disappeared. The quality of workmanship now may hark back to the years when presidents, celebrities, and cowboys bought their boots from Olsen-Steltzer. They still might, and I ought to find out! Today's designs include the traditional stitching, or your own, or the retro look to the '30s and '40s, and Joan Miro, or Picasso, all in high quality craftsmanship.

   In spite of the hole in my sock, I asked Tom to measure my foot for my first new, measured to my foot, pair of cowboy boots. 


Let Lovely Turn of Phrase Begin

JMHawley Gave Me a Kiss to Build a Dream On

Listen, will you? I think that . . . literature, poetry, music and love make the world go round . . . while mathematics explains things; I fill my life with them, then go walking in snowy woods.
Let us go then, you and I
like two etherized patients floating
through life, together feeling prufrockian.
DDB Jr. makes my world go 'round; during his absence, Pachelbel fills it up.
One summer I sailed across the Atlantic Ocean, then through the Gulf of Finland to reach Saint Petersburg; I pursued Joseph Brodsky in its alley ways. I dream of making that two summers.
I read “Biking to Electra;” found my way in a Jaguar car, and glanced at the flashing steel grasshoppers at sunset. I’ll follow K.O.P.’s footsteps after he followed N.Scott Momaday’s; find warmth and inspiration on a rainy mountain.
Throw chinese coins for the I Ching.
Save the whales, the spotted owl, the woman in toil.
Cast a fly for trout; my memories of fly fishing under the sunny blue Colorado sky remain; I yearn to build more . . . with more trophy Browns.
Listen for the swan’s calls on the Baltic Sea. Feel KKII's joy, his arms spread wide in Yazilikaya.
Good night, Jimmy Durante, where ever you are.